Some Penguin Classics are comprised of many authors, or no credited authors at all, and since Penguin doesn’t yet publish a Complete Poems of either Yevtushenko or Yeats (and since I’ll be buried in the cold, cold ground before I’ll recognize Zola), I thought it would be only fair to round out our inaugural Penguin [...]

Some Penguin Classics, as we’ve already noted, are miniature battlefields in their own right. Whether its the editor fighting with some previous editor or the translator fighting with some previous translator, these little black-spined editions have always been an odd but perfect place to skirmish. And surely the oddest of these skirmishes – although it [...]

Some Penguin Classics have been forgotten by those who need most to remember them. The Western world has never been more open-handed of women’s rights, for instance, than it is at this moment in the 21st century, and hundreds of thousands of young women in the United States alone have grown up their entire lives [...]

Some Penguin Classics, as we’ve seen, forever get second-banana billing. How much more ironic this whole process is when the author in question was a productive dynamo who managed to write many brilliant things in a long life? What does the non-German world know of Goethe, for example, except perhaps The Sorrows of Young Werther [...]

Some Penguin Classics get the royal treatment – whether they deserve it or not. By ‘royal treatment’ I of course mean not only induction into the Classics line itself, honor enough though it is for one lifetime, but the bestowal of one of Penguin’s gorgeous “Deluxe” volumes, extra-sized, deckle-edged, supremely aesthetic re-packagings that not every [...]

Some Penguin Classics come perfectly recommended. Oh, they all come recommended – that’s what their Introductions are for, after all (although there’ve been one or two instances over the decades when the writer of the Introduction clearly disliked the translator of the work – or, even more titillatingly, clearly disliked the work itself; it can [...]

Some Penguin Classics just break your heart. Robert Louis Stevenson started writing The Weir of Hermiston in late 1893 in Samoa in a whirlwind of rejuvenated creativity. He’d felt himself scraping the splintery inside edges of his prodigious talent in the course of that year, but he’d found frankly unexpected renewal in writing the dark, [...]

    Some Penguin Classics furnish an appetizer that’s so good it almost competes with the main course. Naturally, that becomes proportionately easier depending on how brief the main course is – or how unappetizing. “Unappetizing” has always been my reaction to the two most famous books of sixteenth century satirist and weekend-Benedictine Francois Rabelais, [...]

Some Penguin Classics ain’t what they used to be! Take for example Rex Warner’s sturdy, chatty 1958 translation of six very famous mini-biographies from Plutarch’s epic series of Parallel Lives. Penguin decided early on that bringing out a fat Classic of the whole of Plutarch probably wouldn’t be commercially viable – or aesthetically either, since [...]

Some Penguin Classics – the vast majority of them, in fact – make their appearance too late to console their authors. Our case-in-point today involves an author who needed more consoling than most: the novelist and short story writer John O’Hara, who flourished in the 1930s and ‘40s, in the heady first heyday of The [...]

We can pause roughly mid-way in our Penguin Alphabet to daydream about all those great books out there that for one reason or another (critical unpreparedness, zealously guarded copyright, etc.) have never quite made it into the Classics canon – but very much deserve to. The full list of such Not Yet Penguins would be [...]

  Some Penguin Classics – in fact many of them – leave you badly wanting more. The world, the writers they show us seem to breathe the living air, and the little wedges of exposure we get between Penguin covers tingle the mental skin, make a taste, create an itinerary to the nearest library to [...]

Some Penguin Classics, as we’ve seen, are overshadowed by their own brethren. Authors pour their hearts into the things they write, but no matter how their own estimations fall, the reading public has a much louder say – and it’s almost never how the author would like things to go. Human nature being what it [...]

Some Penguin Classics, as we’ve noted a couple of times, are at least as much about the edition as they are about the work itself – and sometimes this can be a bit problematic. Take the poetry of John Keats, for example. Obviously, he needs to be welcomed into the Penguin Classic line, but how? [...]