“Il n’y a pas d’Israël pour moi”
/In Michel Houellebecq’s uncannily timely new novel, the triumph of an Islamist government relieves the dreary banality that defines the secular France of the 21st century.
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In Michel Houellebecq’s uncannily timely new novel, the triumph of an Islamist government relieves the dreary banality that defines the secular France of the 21st century.
Read MoreOn its schematic blueprints, the latest book by noted literary polymath Alberto Manguel is "about" Dante's Divine Comedy - but as Robert Minto discovers, this author is at his best when he's digressing.
Read MoreAn Orwellian dystopia, a deposed humanity, and a cat passionately in love with a dog - Justin Hickey reviews Robert Repino's fiendishly clever novel Mort(e).
Read MoreSet in the precarious territory between fiction and history, Nicolas Rothwell’s beautiful, haunting Belomor explores the ways storytelling serves as an impetus for self-discovery.
Read MoreThe star translating team of Richard Pevear and Larissa Volokhonsky (aided this time by Richard Nelson) translate Turgenev's A Month in the Country, with predictably disruptive results. Jack Hanson reviews.
Read MoreCan you improve on a classic? A new novel retells George Eliot’s Daniel Deronda — but much more is lost than gained in the attempt.
Read MoreIn the latest Princeton "Writers on Writers" installment, novelist Colm Toibin writes about poet Elizabeth Bishop
Read MoreAt the outbreak of the First World War, American writers flocked to Europe and headed for the Western Front in order to find their Muse - and to make some quick cash. A new book follows a handful of these earliest chroniclers
Read More"I don't want to achieve immortality through my work," Woody Allen famously quipped; "I want to achieve immortality through not dying." Robert Minto reviews a new book on what it takes to make it big in the literary afterlife
Read MoreFor over a century, Oscar Wilde's notebook on Thomas Chatterton has been regarded as a 'smoking gun' of Wilde's plagiaristic tendencies. A new book radically re-examines the issue
Read MoreThe great Peruvian author Mario Vargas Llosa claims he became a writer in order to annoy his father; his new novel takes up this age-old theme of the strife between fathers and sons.
Read MoreAs we should expect from someone whose previous work is both experimental and kinky, Miranda July has written a first novel that refuses to play by the rules.
Read MoreDespite his iconic status today, in the 19th century Sherlock Holmes was neither the alpha nor the omega of crime fighters: a fascinating new book introduces us to his many contemporaries.
Read MoreRon Howard's adaptation of Nathaniel Philbrick's bestselling In the Heart of the Sea will soon appear, but even the trailers raise rich questions: Why does this story still have the power to fascinate? A Moby-Dick fan ponders.
Read MoreWhen we say of someone that they died too early, does this posit that there is a perfect time? How does the meaning of a life change the longer it’s lived. Jenny Erpenbeck’s new novel End of Days explores some answers.
Read MoreStalking the pages of Thomas Pierce's debut story collection, where the surreal shares quarters with the ordinary, are dwarf mammoths, genetically modified guard dogs, baby Pippin monkeys, and a parakeet named Magnificent.
Read MoreMatthew Lippman's third poetry collection sings of the joys and sorrows of married life - and ventures onto broader societal stages as well. The result shows the reader in new detail a world they thought they knew.
Read MoreFor twenty-five years, the "Table Talk" feature of The Threepenny Review has offered occasional musings on a wide range of topics by some of the best freelance writers and critics in the business. A new hardcover collects a generous helping of highlights
Read MoreIn Alice Fulton's new book Barely Composed, her poems flash across the whole of the language, whip it into a froth, playfully distort it, and sometimes bypass it altogether. Open Letters' Poetry Editor reads along.
Read MoreAny new translation of a classic like Anna Kareninainevitably raises an awkward question: what was wrong with all the old translations? Debut writer Zach Rabiroff takes it line-by-line
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