From the Archives: Embossed Coins

Elie Wiesel once claimed “a novel about Treblinka is either not a novel or not about Treblinka.” How does Steve Sem-Sandberg grapple with representing the unrepresentable in his sweeping chronicle of the Łódź ghetto, The Emperor of Lies? A review from our archives.

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Absent Friends: “Warm, funny, sad, true … It is Perfect”

"The proper function of a critic is to save a tale from the artist who created it" wrote D. H. Lawrence, but sometimes - most of the time - despite the best efforts of the best critics, both tale and artist disappear. What do we do with the criti-cal darlings of yesteryear, now filling the library bargain sale? And what of the critics, who called them imperishable?

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